When a couple crashes their car in the mountains, they seek shelter in an isolated cabin. Its inhabitants, though somewhat unusual, are eager to make their guests feel right at home. But as the blizzard outside rages on and one night turns into several, the couple becomes less and less sure of what's true—about their hosts, themselves, and why that sound in the walls keeps getting louder.
I won’t try to explain what exactly is going on in the Grey House, both in order to avoid spoiling the plot and because I’m not entirely sure myself. (The production sent over a PDF explaining the lore to critics after they attended, which may be a sign that things aren’t entirely clear in the performance.) I’ll just say that Holloway inches toward a double-underlined, not exactly groundbreaking message about how men treat women, though the more the play tried to emphasize its insights, the less I bought into them. Things are better unspoken, as in a gory set piece near the end of the play that’s accompanied by some haunting music (heed the chilling credit of “a cappella arranger” Or Matias in your program) that’s stuck with me more than any of the direct exposition.
Stories of horror are fantastical, but need to follow their own inner logic once the parameters of that fantasy have been established. One game played in “Grey House” dictates that a mother will die if the “it” person tells a lie. Well, many lies are told and Raleigh, while tortured, somehow survives. If she’s the kids’ mother, why doesn’t she die? If she isn’t their mother, why is she tortured by these lies? Raleigh survives because if she didn’t, “Grey House” would end well before Holloway delivers his climax, which is a very unappetizing dinner party that involves way too much exposition to make narrative sense of what’s happening.
General Rush
Price: $35
Where: Lyceum Theatre box office
When: Rush tickets are available in person, day of performance when the box office opens (10am - Mon through Sat & 12pm on Sundays starting May 28).
Limit: Two per customer
Information: Determined at the discretion of the box office. Subject to daily availability.
Digital Lottery
Price: $43 (+ $2 facility fee + $5 service charge)
Where: greyhouselottery.com
When: Patrons may enter thel ottery from 12am to 3pm one day before the performance.
Limit: Two per customer
Information: Subject to availability.
2023 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Lighting Design of a Play | Natasha Katz |
2024 | Drama Desk Awards | Outstanding Scenic Design of a Play | Scott Pask |
2024 | Drama Desk Awards | Outstanding Sound Design of a Play | Tom Gibbons |
2024 | Outer Critics Circle Awards | Outstanding Sound Design (Broadway or Off-Broadway) | Tom Gibbons |
2024 | Tony Awards | Best Lighting Design of a Play | Natasha Katz |
2024 | Tony Awards | Best Sound Design of a Play | Tom Gibbons |
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