Direct from an acclaimed run in London, the powerful Royal Court Theatre production of Lucy Kirkwood's astonishing new play will make its American debut at MTC with the heralded original cast. In a remote cottage on the lonely British coast, a couple of retired nuclear engineers are living a very quiet life. Outside, the world is in utter chaos following a devastating series of events. When an old friend turns up at their door, they're shocked to discover the real reason for her visit. The Mail on Sunday calls The Children "beautifully written and superbly acted." Hailed by The Independent as "the most rewarding dramatist of her generation," playwright Lucy Kirkwoodmakes her highly anticipated New York debut. Directing is the award-winning James MacDonald (TOP GIRLS at MTC).
The Children will star the original Royal Court Theatre cast BAFTA Award winner Francesca Annis (BBC's "Cranford"), Olivier Award nominee Ron Cook (Juno and the Paycock at The Donmar), and Olivier Award winner Deborah Findlay (RSC's Stanley).
The creative team for The Children will feature Miriam Buether (scenic and costume design), Peter Mumford (lighting design), and Max Pappenheim (sound design)
With another author, the 100-minute play might have been shaved down to set up an adventure story of sensational heroism, but the great impact of Kirkwood's drama comes from its naturalism and simple presentation of a moral issue. Hazel and Robin seem like perfectly nice people who lived their lives as products of their generation and now wish to be left alone. But do they owe younger people more than just no longer contributing to what's damaging the world? Is it their responsibility to participate in the struggle to fix what their generation has done?
A thoughtful and provocative theme about one generation's responsibility to the next eventually comes into play, but unfortunately, the evening takes way too long to get there. The plot, such as it is, doesn't kick in until nearly an hour into the intermissionless proceedings, when Rose finally announces the reason for her visit. Before that, there is an endless amount of small talk that, while it teases out revealing information about the characters, proves a trial to sit through. The attempts at comic relief, such as the lengthy exchange revolving around whether Rose did 'number one' or 'number two' in the couple's temperamental downstairs toilet, hardly amuses.
2017 | Broadway |
Manhattan Theatre Club's Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2018 | Outer Critics Circle Awards | Outstanding New Broadway Play | The Children |
2018 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Deborah Findlay |
2018 | Tony Awards | Best Play | Lucy Kirkwood |
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