SAN FRANCISCO OPERA: A CENTENNIAL CELEBRATION On Display At San Francisco International Airport
by A.A. Cristi - Dec 20, 2022
SFO Museum at San Francisco International Airport recently unveiled a new exhibition in connection with San Francisco Opera's centennial titled San Francisco Opera: A Centennial Celebration. The curated installation in the Harvey Milk Terminal 1 (located post-security in Departures Level 2) showcases the Company's first century and the art of operatic stagecraft.
OPERA America Selects Four Teams For The 2022 Robert L.B. Tobin Director-Designer Prize
by Stephi Wild - Dec 7, 2022
OPERA America has announced the eighth cycle of the Robert L.B. Tobin Director-Designer Prize to four teams of creative artists. The biennial prize recognizes promising stage directors and designers for their ingenuity in bringing operatic work to life for contemporary audiences and connects these rising artists with producers who can advance their careers.
TOSCA Closes at Teatro Colon This Week
by Stephi Wild - Dec 5, 2022
Amor, celos, asesinato, traición y venganza componen este drama que tiene como telón de fondo los enfrentamientos entre republicanos y monárquicos en la península itálica a fines del siglo XVIII. Este clásico está ligado al Teatro Colón desde el año de la inauguración de su edificio en 1908 y, desde entonces, se ha representado a lo largo de todas las décadas durante 110 años.
Opera Naples Announces Cast of ROMEO ET JULIETTE to Kick Off 2022-23 Season
by Stephi Wild - Nov 29, 2022
Opera Naples, one of Naples’ leading performing arts organization, has announced a star-studded cast will kick off the 2022-23 season with a famed production of “Roméo et Juliette” by Charles Gounod, featuring internationally acclaimed soprano Jeanette Vecchione-Donatti, Argentinian tenor Santiago Ballerini and Turkish bass-baritone Burak Bilgili.
Which Broadway Show Has Been Revived the Most?
by Jennifer Ashley Tepper - Dec 4, 2022
This month, the reader question was “What Broadway show has been revived the most?” Taking both plays and musicals into account, and considering works in repertory, these were the findings.