Gary Naylor - Page 2

New stage version of Stanley Kubrick's black comedy lands with as much force today as it did in cinemas 60 years ago

A personal show with plenty of 'Wow!' and a nice counterpoint to the gods of magic who deliver miracles from on high.

Incomprehensible drama fails to breach the cultural gap between Japan and England.

Isabella Bywater ratchets up the tension, as Ailish Tynan and Jerry Louth shine as the governess and her male charge.

If you're a parent, brace yourself - and enjoy the glorious singing and fine music writes our critic about TROUBLE IN TAHITI and THE QUIET PLACE.

The Other Place brings thousands of years of history and all the power of theatre to bear on its dissection of the dynamics of grief, transgression and despair.

Part-nostalgia, part-reclaiming under-represented lives, this one-woman show, transferring from Edinburgh, is a delight

Touring production will pull in fans of the book, but needs to find something more to say if it is to convert those new to the story. See what our critic thought of the production.

Bold Anglo-Japanese production fizzles out when it needs to take off like a rocket writes BWW's critic.

Euripides in W6? A distressingly close fit.

John Lithgow impresses as Roald Dahl in an unconvincing drama that is unlikely to change many minds

New play packs plenty of ethical questions into an engaging and fascinating production that offers much to think about on the way home

Icarus Theatre show how new tech can tell old tales

Hard going with characters largely bereft of sympathetic virtues, delivering dialogue long on ideas, but short on heart

Mozart, music and mayhem in a tale of an outfoxed aristocrat brought down to earth

A NASA press conference goes off the rails as the probe, and the probing, goes awry

With Far Right terrorism and toxic masculinity defacing the summer, this 2015 play's UK premiere could no be more timely

Katherine Hoar's debut play makes a seamless and well-deserved transition to a major West End venue to challenge and intrigue a public who have enjoyed Oppenheimer at the cinema

Five actors + 80 years + a soupçon of French ennui = an evening that will spark many a conversation

This heartfelt show would benefit from a tighter focus and a harder edge