Franco Milazzo - Page 7

Birds do it. Bees do it. Even educated fleas do it. Let’s do it, let’s partake in Binaural Dinner Date, a highly personal experience which uses audio technology and biting wit to lay bare our own fundamental thoughts about love, connection and partnership.

Batsu: it’s not subtle, it’s not for the sober and definitely isn’t suitable for children. The ballsy, boozy gameshow from across the pond invades London for some late-night improv comedy shenanigans at the new venue Underbelly Soho.

An immense theatre production that leans as much on the Shakespearean tradition of rehashing history for modern audiences as it does on delivering spectacular staging, The Mongol Khan invades the West End’s biggest theatre with a show sure to set tongues wagging.

With a machine affixed to her head, the scarcely-clad Tara Boom looks out across the audience before throwing popcorn cartons and - after having the contraption connected up to the mains - a flurry of actual popcorn. Welcome to the crazy world of La Clique.

​​​​​​​Celebrated performance artist Marina Abramović is very much in town: as well as a huge exhibition of her works at the Royal Academy, this “opera project” in London’s largest West End theatre sees her explore the life, works and final moments of the diva’s diva Maria Callas through music, song and conceptual videos.

Welcome to Zona Franca, a show created by Brazilian choreographer Alice Ripoll and dance company Cia Suave that does its level best to defy being pigeonholed. Can this even be called a dance production if only about a third of the time is spent on hip-shaking and booty-waving? 

Bang-bang-bang. Tap-tap-tap. Stomp-stomp-stomp. Crackity-crack-crack. Matías Jaime’s Argentinian hit Malevo sounds like the world’s loudest hailstorm while serving up a feast of blistering choreography.

Cabaret veteran Bernie Dieter returned this month to London with her latest outing Club Kabarett. The first show at Soho's newly opened Underbelly Boulevard, it showcases a brilliant cast of international performers all backed by music from Dieter and her house band. We caught up with the Australian-German host during her current run to hear all about it.

Cowbois might sound like a reboot of Sister Act but there is far more going under the satin bonnets. Gunslinger Jack Cannon (Vinnie Heaven) arrives in a small Wild West-era outpost, handsome by appearance, fearsome by reputation and with a bounty of 200 dollars on their head. The town is populated only by women and a drunken sheriff (Paul Hunter), their menfolk having been gone for over a year and presumed dead after a mine blast. 

London company Gothic Opera returns to Hoxton Hall for their fifth outing and their take on French composer Robert Planquette's Rip Van Winkle.

A new immersive production based on George Orwell’s 1984 shows why it still has such a grip on the modern psyche.

A renowned London cabaret venue re-opens with a spectacular display of hair-hanging, fire swords and pole dancing.

Much shorter than Richard Eyre’s three-hour plus version for the ROH, Peter Konwitschny’s La Traviata perhaps should be renamed La Trav or L’ Abbreviata. Its breathless sprint over 105 uninterrupted minutes takes more than it gives but there’s an admirable boldness to it all.

Few venue openings have been as much-anticipated as that of Aviva Studios. With around £100m of public funding and £35m just from the naming rights, its opening production from Factory International was announced over a year ago: Free Your Mind would be “a large-scale immersive performance based on The Matrix films” with a world-class creative team including director Danny Boyle and set designer Es Devlin.

Big Brother is watching you. And you. And you. The surveillance society as envisaged in George Orwell's seminal 1984 is brought to vivid life at Hackney Town Hall this month. We speak to co-director Jem Wall.

Created by Nic Doodson and Andrew Kay, The Choir of Man emerged at the Edinburgh Fringe in 2017 and has gone on to become an Olivier-nominated international sensation.

If using the relaxing music of dinner party favourite Sting as the basis for a wild and inventive hip hop dance show isn’t an act of iconoclastic bravado, then what is?

If a revival is akin to colouring in someone else’s artwork, Cal McCrystal’s Iolanthe for the ENO does so with every shade under the sun.

An iconic venue and a new take on a classic story.

What JRR Tolkien would have thought of Peter Jackson’s Lord Of The Rings: The Two Towers is anyone’s guess but one suspects that the Oxford don would rather have enjoyed the live concert treatment at the Royal Albert Hall.