Franco Milazzo - Page 4

Juggling not only apples but comedy, dance and socio-sexual commentary, the troupe co-founded by Sean Gandini and Kati Ylä-Hokkala in 1992 bring back their signature production to London.

In a sudden lurch away from their epic 2022 creation The Burnt City, immersive specialists Punchdrunk’s next effort is a far more cosy affair. Small barefoot groups walk their way through the Nineties fairytale world of Viola’s Room with the story relayed over headphones by Helena Bonham Carte

Advertised as “Grease meets Squid Game”, Fun At The Beach Romp Bomp A Lomp!! manages to go from the ridiculous to the sublime, even if it does lose its way every now and then.

Miriam Battye’s hilariously brutal and dark dissection of modern relationships - from tentative beginnings over a pint to their varied ends - returns to Soho Theatre for its second run in less than a year. 

The post-pandemic rush of immersive theatre in London has been very hard to ignore with new shows popping up every month. Next month, this resurgent art form is celebrated with voidspace live, a packed day produced by Theatre Deli and Voidspace Zine editor Katy Naylor which showcases over a dozen works .

Walter Washington is stuck. Stuck in his recently deceased wife’s wheelchair. Stuck in “a rent-controlled palace ruled by a grieving despot king” that he can ill afford. Stuck waiting for City Hall to pay him what he considers his due after a thirty year-long cop career ended in a shooting incident. That’s a whole lot of stuck.

Part violent psychodrama, part sunny romcom, The Winter’s Tale was not the most obvious of plays for the Royal Ballet to take on.

With their new work Cycles, it is clear that Boy Blue are at something of a crossroads.

Coming on like some kind of sadistic Mr Bean, the scarier-than-Pennywise Doctor Brown has been terrorising audiences with his silent comedy since 2009 and returns to Soho Theatre with his first new show in over a decade.

In her PhD on “Deconstructing the Spectacle: Aerial Performance as Critical Practice”, Dr Laura Murphy had a singular mission: “to challenge normative ideas attached to and embedded in aerial work”. In A Spectacle Of Herself, she delivers on this challenge with style and conviction.

A show dripping in pretension performed by a naked man? An impenetrable work obsessed with having a sex toy deep inside one’s backside? A meditation on “existential anxiety” that does little of note with an hour of precious life? There’s enough irony in You Are Going To Die to power an Alanis Morissette comeback, and then some.

What is the difference between a house and a home? And who gets to write history? Interactive experience 1884 provokes challenging answers to these questions in the context of an almost-forgotten historical event that had significant consequences for two continents.

Somewhere in King’s Cross, a middle-aged woman sits at a piano and plays an original piece with surprising fluency. There begins Samuel Adamson’s tumultuous tale of two teenage musical prodigies whose lives become thoroughly entangled.

As any fan of this art form will tell you, the first rule of cabaret shows is: never sit in the front row. The second rule is: never tell cabaret virgins the first rule.

Created by cabaret artist Jack Sears and Royal Ballet soloist Hannah Grennell, Giselle:Remix fuses dance and lip sync.

Sometimes reality and drama overlap so much that it can be hard to tell where one finishes and another starts. 

​​​​​​​Serving as a kind of Barber of Seville of theatre, Midsummer Night’s Dream is one of the most accessible of Shakespeare’s plays. Its blend of mystic romance, daffy dramatists and fairy-powered shenanigans is not short on rambunctious comedy turns but, in the hands of Flabbergast Theatre, that aspect is turned up to eleven.

When Phantom Peak, one of London's most innovative and ridiculously fun theatrical experiences, holds a Festival Of Innovation, how can one say no? It is not the only impressive immersive show in town but its near-peerless execution and boundless imagination puts it up there with the more well known Punchdrunk.

After two years away, Kyle Dean Massey steps back onto the cabaret stage at London’s Crazy Coqs.

This weekend, Netflix star Mason Alexander Park brings The Pansy Craze to Underbelly Soho, a theatrical concert series chronicling multiple periods in history where queerness was celebrated, commodified, consumed, and then criminalised.